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Say
It Live And Loud: Live In Dallas 08.26.68 |
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James Brown
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Best of 1998
James Brown had just recorded "Say It Loud--I'm Black
and I'm Proud" when he visited Dallas in summer 1968.
Mixing Soul Brother Number One's more traditional gospel-
and jump-blues-influenced early hits with the funk he was
still developing ("Cold Sweat," "Licking
Stick--Licking Stick"), Say It Live and Loud
captures that show in a time-capsule piece that's hardly
just a historical document: it brings the full-force power
of Brown, Maceo Parker, and the rest of the "James
Brown Orchestra" front...Read
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Independent
Intavenshan [BOX SET] |
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Linton Kwesi Johnson
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Best of 1998
The fact that 1998's highest-ranking reggae album is a
reissue speaks more to the power of dub poet Linton Kwesi
Johnson than to the weak crop of contemporary reggae
artists. Independent Intavenshan is a two-fisted
blast of LKJ's smoldering patois poems backed by the
liquid rhythms of Dennis Bovell's Dub Band. Including all
four of LKJ's Island albums--Forces of Victory, Bass
Culture, LKJ in Dub, and Making History--Intavenshan
is a timeless, literate, and politically charged document.
--S. Duda Read
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Starters
Alternators |
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Ex
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Like no other band on the planet, Holland's experimental
punk band the Ex demonstrate that punk rock can encompass
artistic dualities and still swing. The 11 forceful,
buzzing, in-your-face songs on Starters Alternators
(produced by Steve Albini) are simultaneously political
and personal, frenzied and beautiful, frenetic and tasteful.
"Frenzy" and "Two Struck by the Moon"
possess the taught, sharp delivery of early Wire, while
"It's a Sin" sounds like Sonic Youth raised on
Eastern European folk...Read
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Combustication |
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Medeski Martin And Wood
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Best of 1998
The rather plainly named Medeski, Martin and Wood have
almost single-handedly returned the spotlight to the more
out-there fusion between bop jazz and on-the-one funky
rock music. Wheezing and huffing behind a bank of
old-school keyboards, Medeski, Martin and Wood plow into
their songs with abandon. The drums of Billy Martin push
the band out and away rather than gathering them neat and
tidy, while bassist Chris Wood delivers the rhythms that
somehow manage to keep every musical tidbit strapped...Read
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Djam
Leelii |
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Baaba Maal, Mansour Seck
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Recorded in 1982 and originally released in 1984, Djam
Leelii reappears in 1998 with all its graceful glory
intact--and a little added on. Adorned with three
previously unheard remastered tracks from the original
sessions, this atmospheric masterpiece is carried along by
the complementary voices and guitars of Baaba Maal and
Mansour Seck, two of West Africa's leading lights. A sense
of mystery permeates this classic of acoustic world music.
--Steven Stolder Read
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Coming
Home Jamaica |
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Art Ensemble Of Chicago
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Coming Home Jamaica, the Art Ensemble's first
studio album since 1992's Thelonious Sphere Monk:
Dreaming of the Masters, Vol. 2, (which also featured
Cecil Taylor), was actually recorded in 1995. Except for
the long the delay, AEC fans will have little to complain
about since Jamaica is an entertaining,
great-sounding release. While it's not as adventurous as
the group's finest material, AEC comes off here as tight,
confident, and swinging. After 32 years in the business,
the Art Ensemble still...Read
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F
No. 9 No. (Infinity) |
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Godspeed You Black Emperor
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Best of 1998
On first listen, Montreal collective Godspeed You Black
Emporer sounds familiar, like sonic-landscape architects
the Dirty Three. But pay closer attention to this debut
full-length and you'll find something much more
compelling: G.Y.B.E. mix found sounds, voices, lilting
string sections, and musique concr?te into structures
that tell a story. With each listen, a new plot twist is
unraveled, a new movie sample identified--you start to
listen closely with headphones to pick up new...Read
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Chippeha!
The Essential Dixie Cowboy |
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Jenks Tex Carman
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Cowboy music, hillbilly music, Hawaiian music, and some
just plain weird music combine on this anthology of tunes
by Jenks "Tex" Carman, an offbeat recording
artist who straddled the dangerous line between comedic
genius and idiot savant. Carman was best known for
"Hillbilly Hula," a song whose title pretty much
describes his style on these recordings. Covering 1947 to
1953, the cuts include radio spots that feature Carman
recruiting listeners into the armed forces. The Beasties
were right: You...Read
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The
Art Of The Trio, Vol. 3 |
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Brad Mehldau
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Best of 1998
Art of the Trio Volume 3 was easily the finest
rainy-day album of 1998. Moody, pensive, and hopelessly
romantic, Brad Mehldau's fifth album as a leader staked
out a deeply personal, strikingly handsome territory.
Aided by sympathetic playing from bassist Larry Grenadier
and drummer Jorge Rossy, Art of the Trio may not be
the most exciting jazz album of the year, but it is
certainly the most gorgeous. Mehldau's take on Richard
Rodgers and Lorenz Hart's "Bewitched, Bothered and
Bewildered" is...Read
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Step
Inside This House |
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Lyle Lovett
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Lovett puts down his pen and applauds the work of fellow
Texas songsmiths on this inviting dissection of his
musical influences. Buttressed by the fluid work of
acoustic pickers such as Jerry Douglas and Sam Bush,
Lovett attaches his uptown drawl to the works of writers
including Robert Earl Keen, Guy Clark, and Michael Martin
Murphy as well as to a pair of Lone Star traditionals.
Disc 2 is dedicated to two of Lovett's biggest mentors,
Walter Hyatt and Townes Van Zandt. --Marc Greilsamer
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Actual
Sounds And Voices |
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Meat Beat Manifesto
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Best of 1998
Meat Beat Manifesto represent everything that is right
about electronic music. Perhaps it's their signature
acoustic drum patterns that maintain their songs'
timelessness. Perhaps it is leader Jack Dangers's ability
to infuse each album with a variety of influences. With Actual
Sounds and Voices, Dangers builds his songs around two
jazz greats improvising in a recorded session. But the
jazz influence never overpowers Meat Beat's bombastic
vibe--it only enhances it. Considering their track...Read
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Still
Burning |
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Mike Scott
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All the promise of Mike Scott's former band, the Waterboys,
is realized on his second solo release. With an open heart
and an electric guitar, Scott creates his most personal
and impassioned album to date. A disc that displays a
complete lack of irony, Still Burning paints him as
a natural mystic and spiritual seeker who worships rock
& roll. Like fellow traveler Bob Dylan, Scott lords
over a full-on rock sound with a timeless quality that
proves that after all these years the fire's still...Read
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Monteverdi:
Combattimento di Tancredi, etc / Alessandrini |
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Claudio Monteverdi(Composer), et al
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Monteverdi's Eighth Book of Madrigals was a milestone,
coming late in the then septuagenarian composer's life and
offering the fullest flowering of the madrigal form. The
two lengthy works collected here fall into the two chief
camps in the Eighth Book, martial and amorous madrigals.
The former type is represented by Il Cambattimento di
Tancredi e Clorinda, and the latter by Il Balls
delle Ingrate. The singing is extraordinary, warm in
the lower ranges (of which the lowest is bright and
full...Read
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Featuring
"Birds" |
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Quasi
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Like Mark Eitzel's best work with American Music Club, Featuring
"Birds" finds Elliott Smith's old Heatmiser
cohort Sam Coomes in the sort of hope-deprived mood that
leads not to suicide, but to nonstop wisecracking:
"Life is dull, life is gray / At its best, it's just
OK / But I'm happy to report / Life is also short."
Driven by ex-wife and Sleater-Kinney member Janet Weiss's
powerhouse drumming, Coomes's overamped electric keyboard
is the perfect vehicle for his wryness and melodicism. ...Read
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Powder
Her Face-Complete Opera |
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T. Ades
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In search of a topic for his first opera, Thomas Ad?s
originally turned to Lolita before being drawn to
the ironic morality tale of sex, privilege, and the media
that furnished the basis for Powder Her Face.
Nevertheless, he exudes a Nabokovian delight in the rich
possibilities of his allusive musical language. Most
winningly, Ad?s's detailed portrayals of character and
mood add depth to the tabloid fall-from-grace story that
was the opera's germ. --Thomas May Read
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Alcantara:
Arabo-Andalusian Voice - Morocco |
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Amina Alaoui
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Best of 1998
The ancient Andalusian poetry that Moroccan singer Amina
Alaoui brings to radiant life in Alcantara has been
in her family for generations. Her relatives sang the
500-year-old poems at gatherings and her grandmother
murmured them while working on embroidery. The CD, whose
title means "the bridge," takes listeners over
time and land to the Muslim dynasties of medieval Spain
and the music created there. This unique, melodious music
along with Alaoui's aromatic voice makes Alcantara
one of the best...Read
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Blues
On The Bayou |
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B. B. King
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Opting for simplicity this time around, B.B. King gets by
with a little help from his excellent backing band,
producing an album that's evocative of the Louisiana
countryside where it was recorded. After over half a
century in the business, King knows what he's about: he
makes playing good blues sound easy, and every track on Blues
on the Bayou is a treat. --Genevieve Williams Read
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Toxu |
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Wasis Diop
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Best of 1998
Many artists who achieve greatness inspire comparisons,
but Senegalese Wasis Diop is valued for creating music
unlike any other. Eloquent and polished, foreign but
familiar, Diop's sound synthesizes rock, funk, West
African chant, ambient electronics, and acoustical music.
He is daring without being alienating. Whether he sings
with his rich, sexy voice about Soweto or "Oh, my
heart! Oh, my answering machine!" the sound is
meaningful. His interpretation of the Talking
Heads' "Once in a Lifetime"...Read
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Live
at Future Primitive Sound Session |
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Shortkut, Cut Chemist
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Best of 1998
In a year in which DJs asserted that, yes, they too are
musicians, it was the duo of Cut Chemist (a turntablist in
Jurassic
5 and Ozomatli)
and Shortkut (a member, along with DJ
Qbert and Mix
Master Mike, of the Invisibl Skratch Piklz), spinning
live at a San Francisco party that put the proof in the
pudding. Mixing albums from across the decades, some
familiar and some obscure, the duo create something
entirely--and undeniably--their own. --Randy Silver
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Life,
Love & The Blues |
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Etta James
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Best of 1998
On Life, Love & the Blues, Etta James returns
to her blues and soul repertoire, enlivening even the
hoariest of tunes ("Spoonful," a gender-flopped
"Hoochie Coochie Gal") with her growl. The
tinges of funk underpinning "Born Under a Bad
Sign" are given full room to stretch on a cover of
Sly Stone's "If You Want Me to Stay," and James
nearly swipes "The Love You Save May Be Your
Own," one of Joe Tex's great preaching ballads, from
the master. --Rickey Wright Read
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Stumble |
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Ken Vandermark, Aaly Trio
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Best of 1998
Saxophonist Ken Vandermark released two excellent LPs this
year--Target or Flag, a barn burner featuring his
Chicago-based group, the Vandermark 5--and Stumble,
his collaboration with Sweden's Aaly Trio. Vandermark is a
player with explosive moves and a surprising vocabulary of
honks, blats, and horn chatter. Stumble creeps
through the shadows like the soundtrack to a noir
thriller. Other times, the record is convulsed by
Vandermark's horn fits. A player of many moves--clucking,
coughing,...Read
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O
Paraiso: 14 Cancoes |
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Madredeus
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Accordian player Gabriel Gomes first heard the silken
voice of Teresa Salguiero as she sang at a caf? table
among friends in 1986. Gomes, along with fellow Madredeus
musicians, was searching for a singer and Salguiero's
pensive, crystal voice did the trick. Six albums and 12
years later, the group has released its most intriguing CD
to date. Doused in melancholy classical guitar and
dripping with beautiful melodies, O Para?so
features Salguiero at the height of vocal maturity,...Read
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Swing
Guitar Masterpieces |
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Oscar Aleman
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Lingering in the shadows of prebebop guitar legends such
as Django
Reinhardt, Oscar Alem?n has been rendered to barely a
blip in jazz history. First reason is his non-American,
non-European status, as precious few jazzers from outside
these regions ever garnered acclaim. Second reason is his
sound, which upon first hearing smacks very strongly of
Django. These two generous CDs point out, however, that
Alem?n was in fact very much a genius unto himself. He
did the swing circuit, as...Read
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Dok |
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Oval, Christophe Charles
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Best of 1998
In a year that saw the release of many fabulous archival
78s and field recordings, it's great to hear music that
creates new, vibrant art from similar, contemporary source
material. With Dok, Oval music ceases to be about
manipulating existing CDs and instead is made from the
manipulation of field/travel recordings by Tokyo-based
artist Christophe Charles. Markus Popp's software does
some pretty, narcoleptic, nifty things to the source
material, recordings of bells heard in public spaces...Read
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Wave
Field |
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Rafael Toral
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Best of 1998
Wave Field was recorded and released on a small
Portugese label but wasn't heard by most until its release
by Drag City in 1998. The cover to the disc explicitly
suggests My Bloody Valentine, but this is no shoe-gazing
exercise; there are no songs per se on this record, just
drones and tones overlapping in ambient bliss. Toral
harnesses the purest elements of guitar-induced feedback
to create dreamy, woozy, unreal music that sounds best
when played ear-bleedingly loud. --Mike McGonigal Read
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